Soprano Soloist- St. Matthew Passion- Central City Opera

Daily Camera

"Bird-Arvidsson was radiant and pure, especially in her Part II aria with only three woodwinds accompanying"

Soprano Soloist- Mass in B minor- Boulder Bach Festival

Denver Post

"Bird-Arvidsson...shone in Laudamus Te," "the Credo featured a stunning duet between Bird-Arvidsson and Julie Simson whose mellifluous mezzo-soprano voice perfectly paralleled Bird-Arvidsson’s round, resonant tone."

Nedda- I pagliacci- Theater Hagen

Der Westen

"Jennifer Bird is a Nedda with heartache in her voice and an agile joy in acting."

Blanche- A Streetcar Named Desire- Coburg


"Jennifer Bird manages this prima donna role brilliantly- with slender, flexible, well-carrying voice and precisely controlled, nervously hysterical gestures."

Eurydice- Orphée aux Enfers- Vienna Volksoper

Opera News online

...frustrated housewife Eurydice, Jennifer Bird, showing a demonic edge...but earning top vocal honors for her bubbly coloratura.

Eurydice- Orphée aux Enfers- Vienna Volksoper

Der Kurier

"Jennifer Bird is a vocally and optically superb Eurydice and therefore a real win for the house."

Violetta- La traviata- Bremen

Weser Kurier

Jennifer Bird...commands her role so well that she could succeed with it in considerably larger opera houses. In addition to her polished musical creation, her appearance as elegant, life-loving Violetta captivates."

Tytania- A Midsummer Night's Dream- Bremen


"Outstanding vocally and dramatically was the Tytania of Jennifer Bird, who is capable of winning personality form her coloratura."

Gilda- Rigoletto- Bremen

"Jennifer Bird is among the most remarkable recent discoveries of the Bremer Theater. It is a clear joy to hear and see this specialist for polished character studies. Admirable how she forms melodic lines aglow with feeling, individualizes cadenzas, and equally dramatically traces emotional responses with never failing vividness."

Gilda- Rigoletto- Bremen

Weser Kurier

"Jennifer Bird as Gilda impressively did her part justice. Lyric depth with velvety timbre."

Konstanze- Die Entführung aus dem Serail- Bremen

kultura-extra online

"Jennifer Bird succeeds perfectly with a Konstanze to die for. What should one praise first: the technical proficiency of her gracefully timbered, flexible voice; her radiant soft singing... or the depth of expression and authenticity in her acting, or her stage presence which exudes warmth, beauty, and femininity?... Alone the Konstanze of Jennifer Bird is worth the trip to Bremen."